Song
Amazing Grace
Traditional (public domain) · arrangements: 66music original · 3 instruments — pick one
D; G; B; G; B; A; G; E; D; D; G; B; G; B; A; D; B; D; B; D; B; G; D; E; G; G; E; D; D; G; B; G; B; A; G; D; G; B; G; B; A; G; E; D; D; G; B; G; B; A; D; B; D; B; D; B; G; D; E; G; G; E; D; D; G; B; G; B; A; G; D; G; B; G; B; A; G; E; D; D; G; B; G; B; A; D; B; D; B; D; B; G; D; E; G; G; E; D; D; G; B; G; B; A; G
Your part alone. This song also has bass and drums.
The whole tune — a pickup and fourteen bars of 3/4, four phrases of common metre. The passing G after each B is in every source and is kept; the pentatonic shape (G A B D E) is the entire melody, which is why it sits under the hand so well. Open in the piano room →
Amazing Grace (bass line) · position 2
Your part alone. This song also has piano and drums.
Three verses of root-and-fifth bass in 3/4 under the hymn — the 66music line. It moves once a bar, which is what a waltz-time hymn wants: something to lean on, not something to listen to. Open in the bass room →
kit notation
Your part alone. This song also has piano and bass.
Three verses of quiet 3/4: kick on one, brushed snare on two and three, ride across the bar. THE FIRST PIECE IN THE CATALOGUE THAT IS NOT IN FOUR — the grid and the score both used to assume four beats to a bar, and both now ask the piece. 66music original. Open in the drums room →