Song
Rondo alla Turca
Wolfgang Amadeus Mozart, 1784 (public domain) · arrangements: 66music original · one instrument so far
B; A; G sharp; A; C; D; C; B; C; E; F; E; D sharp; E; B; A; G sharp; A; B; A; G sharp; A; C; A; C; B; A; G; A; B; A; G; A; B; A; G; F sharp; E; E; F; G; G; A; G; F; E; D; E; F; G; G; A; G; F; E; D; C; D; E; E; F; E; D; C; B; C; D; E; E; F; E; D; C; B; B; A; G sharp; A; C; D; C; B; C; E; F; E; D sharp; E; B; A; G sharp; A; B; A; G sharp; A; C; A; B; C; B; A; G sharp; A; E; F; D; C; B; A; B; A; A; B; C sharp; A; B; C sharp; B; A; G sharp; F sharp; G sharp; A; B; G sharp; E; A; B; C sharp; A; B; C sharp; B; A; G sharp; F sharp; B; G sharp; E; A; B; A; G sharp; A; C; D; C; B; C; E; F; E; D sharp; E; B; A; G sharp; A; B; A; G sharp; A; C; A; C; B; A; G; A; B; A; G; A; B; A; G; F sharp; E; E; F; G; G; A; G; F; E; D; E; F; G; G; A; G; F; E; D; C; D; E; E; F; E; D; C; B; C; D; E; E; F; E; D; C; B; B; A; G sharp; A; C; D; C; B; C; E; F; E; D sharp; E; B; A; G sharp; A; B; A; G sharp; A; C; A; B; C; B; A; G sharp; A; E; F; D; C; B; A; B; A; A; B; C sharp; A; B; C sharp; B; A; G sharp; F sharp; G sharp; A; B; G sharp; E; A; B; C sharp; A; B; C sharp; B; A; G sharp; F sharp; B; G sharp; E; A; B; A; G sharp; A; C; D; C; B; C; E; F; E; D sharp; E; B; A; G sharp; A; B; A; G sharp; A; C; A; C; B; A; G; A; B; A; G; A; B; A; G; F sharp; E; E; F; G; G; A; G; F; E; D; E; F; G; G; A; G; F; E; D; C; D; E; E; F; E; D; C; B; C; D; E; E; F; E; D; C; B; B; A; G sharp; A; C; D; C; B; C; E; F; E; D sharp; E; B; A; G sharp; A; B; A; G sharp; A; C; A; B; C; B; A; G sharp; A; E; F; D; C; B; A; B; A; A; B; C sharp; A; B; C sharp; B; A; G sharp; F sharp; G sharp; A; B; G sharp; E; A; B; C sharp; A; B; C sharp; B; A; G sharp; F sharp; B; G sharp; E; A
No notation for this one: it moves in triplets, and this engraver rounds to sixteenths — which would print a rest inside every triplet that the composer never wrote. The falling keys are millisecond-based and show it honestly.
The famous rondo theme, three times through — thirty-three bars of 2/4 a pass, opening on the one-beat pickup the piece actually starts with. A FRAGMENT: the movement runs to about 127 bars, so this is the opening quarter — the part everyone can hum, not the whole rondo. Open in the piano room →